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Let the killing continue in Lights! Camera! Frendo! In the fourth installment of the Bram Stoker Award-winning series, Frendo goes Hollywood – with all the blood, guts, and mayhem you’d expect from Adam Cesare and the series that spawned the blockbuster motion picture.

Lights, Camera, FRENDO! Welcome back to Kettle Springs. It’s time for Frendo’s close-up.

Sabrina Alvarez is a nobody—until Quinn Maybrook makes her a somebody. After landing the starring role in a film based on the Kettle Springs Massacre, Sabrina should be on top of the world. She’s going to be THE Quinn Maybrook, Final Girl of Final Girls, national hero and certified badass. But as soon as Sabrina gets to Kettle Springs, she just can’t quite shake the feeling that something’s off. For one, the director is way intense. No phones on set, shoots that last all night long, and some freakishly realistic dramatizations of the massacre’s events. Not to mention that it’s getting pretty clear to Sabrina that the residents of Kettle Springs want them out.

And then the first pair of deaths crop up. But Frendo’s gone, right? Or is he back for another round in the spotlight… It’s the latest installment of Adam Cesare’s Bram Stoker Award-winning series, Clown in a Cornfield – and this time, it’s all on film.